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“The magnificent Mr. Bey rephrases ‘Just Friends,’ taking it mid-tempo with bassist Ron Carter, drummer Victor Lewis, and a string quartet.” |
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- Sandra Burlingame
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This standard is a poignant ballad about two lovers who have drifted apart and are now “Just Friends.” Red McKenzie and His Orchestra introduced “Just Friends” in October of 1931 with “Time on My Hands” on the flip side.
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However, it was not McKenzie’s cover that put “Just Friends” on the charts. In February of 1932, Russ Columbo, one of the most popular singers of the era, performing with Leonard Joy’s Orchestra, took the song to the charts for three weeks where it peaked at number fourteen. In April of the same year, Ben Selvin and His Orchestra put “Just Friends” on the charts for two weeks, also climbing to number fourteen. Selvin was a violinist who made more recordings than any other bandleader.
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“Just Friends” is the most often recorded song written by Klenner and Lewis, a team who seems to have shared a common interest in words. Sam M. Lewis wrote the lyrics to “Street of Dreams” (1931) and John Klenner wrote the lyrics to “Down the River of Golden Dreams” (1930) and “On the Street of Regret” (1942).
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More information on this tune... |
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- Jeremy Wilson
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This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with
“Just Friends.” These recordings have been selected from the Jazz History and
CD Recommendations sections.
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Charlie Parker cemented the relevance of “Just Friends” to modern jazz musicians thanks to his ballad interpretation of 1950 with a string section ( Charlie Parker with Strings: The Master Takes). Chet Baker’s 1955 performance ( The Best of Chet Baker Sings) is taken at a swinging medium tempo and is a definitive vocal interpretation of the tune, while also featuring some vintage Baker trumpet. Pat Martino’s up-tempo 1967 version ( El Hombre), meanwhile, helped to popularize the tune among guitarists and organists.
Noah Baerman - Jazz Pianist and Educator
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Musical analysis of
“Just Friends”
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Original
Key |
G major |
Form |
A – B1 –
A – B2 |
Tonality |
Primarily
major |
Movement |
Downward
fifths, fourths, and thirds with embellishing
tones. Upward movement is mainly by step.
Long, sustained pitches. |
Comments
(assumed
background)
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What was originally a ballad is usually
played uptempo today because of slow melodic
and harmonic rhythm (only two measures contain
more than one chord change, and most of
the piece is one chord change every two
measures). Harmonic progression starts out
with IV – iv – I, similar to “After
You’ve Gone,” but then proceeds to a
ct˚7 (following descending bass line from
the fourth scale degree), and then to a
ii7 – V7 deceptively resolved to iii – vi.
It settles here in the relative minor briefly
before returning to II7(V7/V) – V7.
Again, there is a deceptive resolution
going into the second “A,” for the V7 goes
to IV (some use a chromatic passing chord
here). The slow, sustained nature of this
piece has led jazz players to add embellishing
chords and substitutions over the years.
One example is the addition of a bVII chord
following IV in measure 4 of sections “A”.
Nowadays, the leading-tone diminished seventh
chord in mm 7-8 of “A” is replaced with
a biii and bVII (in the original, Cm7 –
F7 instead of Bb˚7).
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K. J. McElrath - Musicologist for JazzStandards.com |
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No doubt the jazz world owes Charlie Parker a
great debt for bringing this tune into the jazz
oeuvre after years of being treated as a sentimental
ballad.
Several early West Coast cool jazz players latched
on to the tune in the mid-1950s. Chet Baker’s swinging
vocal version from 1955 is a classic, while an album
from 1957 features the great but underrated tenor
saxophonist Richie Kamuca and pianist Carl Perkins
(who recorded a solo version in 1956, and sadly
died at the age of 30). Kamuca’s up-tempo version
is an interesting departure from the versions by
Parker and Baker.
Chris Tyle - Jazz Musician and Historian
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Additional information for "Just Friends" may be found in:
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Robert Gottlieb, Robert Kimball
Reading Lyrics Pantheon
Hardcover: 736 pages
(Includes the following types of information: song lyrics.)
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“Just Friends” was included in these films:
And on the small screen:
- Ramona (2003, miniseries,
Chet Baker).
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Click on any CD for more details at Amazon.com |
John Coltrane
Coltrane Time
1991 Blue Note 84461
Original recording 1958
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This recording, from the only recorded session with Coltrane and avant-garde pianist Cecil Taylor, is somewhat controversial for the tensions between Taylor and trumpeter Kenny Dorham, who was frustrated by the dissonance of Taylor’s playing. As such, this music is often written off as a historical curiosity. However, both Coltrane and Taylor both play wonderfully, and it is a rare opportunity to hear Taylor’s iconoclastic playing in the context of a standard tune and a straight-ahead rhythm section.
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Sonny Rollins
Sonny Meets Hawk!
1999 Polygram 63479
Original recording 1963
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This performance of “Just Friends” teams tenor giant Rollins with one of his primary influences, Coleman Hawkins. The results are fascinating, as Rollins plays with an elusiveness seldom heard on his most famous recordings, while Hawkins more than holds his own in a more modern context than his own most famous recordings.
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Pat Martino
El Hombre
1991 Original Jazz Classics 195
Original recording 1967
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The wonderfully talented and still very young guitarist Martino is heard here on his debut recording as a leader. His influential sound is heard in full bloom here on a burning rendition of “Just Friends,” alongside a rhythm section of Philadelphians featuring organist Trudy Pitts.
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Charlie Parker
Charlie Parker with Strings: The Master Takes
Polygram Records 23984
Original recording, 1950
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Charlie Parker fulfilled his wish to play with strings and included a stellar version of "Just Friends"' among his song selections.
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Tony Bennett
Jazz
1990 Sony 40424
Original recording 1964
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Bennett croons this one gently over a relaxed ballad backdrop. Notably, his band consists of Stan Getz on saxophone, Herbie Hancock on piano, Ron Carter on bass and Elvin Jones on drums, all playing with striking restraint.
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Lee Konitz
Satori
1997 Original Jazz Classics Number
Original recording 1974
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Konitz, on alto saxophone, takes many creative twists and turns in this performance, much of it a sort of dialogue with the brilliant French pianist Martial Solal. Bassist Dave Holland and Drummer Jack DeJohnette offer creative, flexible accompaniment.
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Andy Bey
Tuesdays in Chinatown
2001 Encoded Music
Original recording 1991
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The magnificent Mr. Bey rephrases "Just Friends,"' taking it mid-tempo with bassist Ron Carter, drummer Victor Lewis, and a string quartet. A stunning version. No wonder the Jazz Journalists Association voted him Jazz Vocalist of the Year in 2003.
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Marian McPartland
Just Friends
1998, Concord 4805
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In the spirit of her radio show, “Piano Jazz,” McPartland invites some of her pianist friends--Tommy Flanagan, George Shearing, Geri Allen, Dave Brubeck, and Gene Harris--to join her in some duo piano outings. Shearing joins her on “Just Friends.”
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George Cables
Cables Fables
1995, Steeplechase
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Peter Washington (bass) and Kenny Washington (drums), who are now pianist Bill Charlap’s frequent rhythm section, aid and abet pianist Cables’ up-tempo take on “Just Friends.” The CD also includes Cables’ beautiful composition, “Helen’s Song.”
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