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“For a tune that became a hot, swing era specialty, the John Kirby Band’s version from 1938 premiered trumpeter Charlie Shavers’ tune in a rather subdued manner.” |
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- Chris Tyle
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The 1930s and ‘40s were dominated by big swing and dance bands capable of filling the many large ballrooms across America. But a significant number of nightclubs required smaller ensembles, especially in cities like New York and Chicago. One of these diminutive venues was the Onyx Club on New York’s 52nd Street which came to be known as “Swing Street” for its many small jazz clubs. Swinging violinist Stuff Smith’s group packed the club during 1936 and early 1937, only leaving the gig for a Hollywood movie appearance.
Bassist John Kirby, a veteran of the bands of Chick Webb and Fletcher Henderson, assembled a small group to take Smith’s place at the Onyx. The group basically existed as a jam band until November, 1937, when trumpeter Charlie Shavers joined. Shavers, a big band veteran and arranger, began whipping the musicians into a tightly integrated ensemble, playing arrangements of everything from popular songs to interpretations of classics. Shavers also began composing originals, one of which was sent off to his publisher. Receiving the untitled composition the publishers wired Shavers for the name. Shavers’ brief wired response was “UNDECIDED,” which they mistakenly took to be the title. Sid Robin wrote lyrics for the melody, basing them on a tempo that was half of what Shavers had intended. Robin’s lyrics work cleverly around the tune’s repeated melody, telling the story of an on-again, off-again relationship. The tune suited Ella Fitzgerald’s early style perfectly, as though Robin had her in mind when writing the lyrics.
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The tune was recorded by a number of groups in the year following its initial release. Two made the charts:
- Chick Webb’s Orchestra (1939, Ella Fitzgerald, vocal, #8)
- John Kirby and His Onyx Club Boys (1939, instrumental, #19) (the only recording by Kirby to hit the charts)
The Kirby band’s greatest success followed the record’s success, and soon the group was appearing in white tuxedos at such posh venues as New York’s Waldorf-Astoria Hotel. Kirby’s band was hard hit by World War II enlistments, and Shavers left in 1945 to join Tommy Dorsey’s Orchestra.
“Undecided” was a popular jazz vehicle throughout the 1940s and ‘50s. Surprisingly, in 1951 it almost hit #1 in the charts:
- Ames Brothers (1951, vocal, #2)
- Ray Anthony and His Orchestra (1951, Gloria Craig and the Skyliners, vocal, #10)
- Guy Lombardo and His Royal Canadians (1951, instrumental, #28)
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This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with
“Undecided.” These recordings have been selected from the Jazz History and
CD Recommendations sections.
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Composer Charlie Shavers participated in the first and still definitive recording of “Undecided” (Charlie Shavers: Swing Era, 1937-1945) in 1938 as a member of John Kirby’s remarkable sextet. Ella Fitzgerald, meanwhile, became the definitive vocal interpreter of the song soon thereafter with her performance in front of Chick Webb’s band (The Early Years, Part 2), a performance that is also noteworthy for featuring a rare drum solo by Webb. Art Tatum’s trio version with Benny Carter and Louis Bellson (The Tatum Group Masterpieces) is a good and significant example of a less arranged modern interpretation of the tune.
Noah Baerman - Jazz Pianist and Educator
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Musical analysis of “Undecided” | Original Key | C major | Form | A - A - B - A | Tonality | Major throughout | Movement | Primarily stepwise with some skips; occasional altered pitches and chromaticism lend a “bluesy” sound to the melody. | Comments (assumed background) | A highly repetitive tune in which two different motivic figures (one in “A” and one in “B”) are played several times over shifting harmonies, suggesting that this piece originated as a background “riff” for something else. Chord progression of “A” is a fairly standard I - IV - V7 (embellished with a secondary dominant in mm. 6-7). “B” is a circle of fifths progression starting with V7/IV (C7 in the original). The first four measures of “B” could almost be construed as a false key change to the subdominant, if only for four measures. | K. J. McElrath - Musicologist for JazzStandards.com |
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For a tune that became a hot, swing era specialty, the John Kirby Band’s version from 1938 premiered trumpeter Charlie Shavers’ tune in a rather subdued manner. It didn’t take long for other groups to include the number in their repertoires, and cover versions were soon recorded by the Benny Goodman and Chick Webb Orchestras (the latter features a fine vocal by young Ella Fitzgerald). Shavers, the leader of an all-star group for Keynote Records from October, 1944, was obviously inspired by his company, which included Coleman Hawkins on tenor sax and Teddy Wilson on piano, all of whom turn in fine solos. Wilson would record the tune again with his own group the next month with Shavers. Roy Eldridge, a trumpeter who influenced Shavers, turned in a blistering version from a session recorded in Paris in 1950, along with masterful tenor saxophonist Zoot Sims and a fine French rhythm section.
Chris Tyle - Jazz Musician and Historian
John Kirby
John Kirby
Giants of Jazz (Italian) 53243
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Additional information for "Undecided" may be found in:
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George T. Simon
Big Bands Songbook Barnes & Noble
Paperback
(4 pages including the following types of information: history, performers and sheet music.)
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Click on any CD for more details at Amazon.com |
Django Reinhardt
Django in Rome 1949-1950
Jsp Records
Original Recording 1949
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The brilliant guitarist Reinhardt revisits “Undecided” a third and final time on record, ten years after his first recording of the tune. His soloing is assured and brilliantly creative. Stephane Grappelli also takes a wonderful solo, and this was among the last collaborations between these two artists.
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Jack McDuff
Brother Jack McDuff Live!
Prestige
Original recording 1963
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Organist McDuff was at the top of his game at the time of this burning live performance. For many people, though, the primary significance of this recording lies in the glimpse it offers of a twenty year old guitarist by the name of George Benson. Caught a year before his first recording as a leader, Benson already displays a deep blues feeling and remarkable technique.
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Art Tatum
The Tatum Group Masterpieces, Vol. 1
Pablo
Original recording 1954
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That Tatum burns on this version of “Undecided” should come as no surprise. Particularly striking here is that he is matched lick for burning lick by alto saxophonist Benny Carter and drummer Louis Bellson in a tour de force performance that clearly stimulates everyone involved.
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Erroll Garner
Complete Savoy Master Takes
Savoy Jazz
Original Recording 1949
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Garner’s trio offers a relaxed and very swinging performance of “Undecided” here. Garner’s own piano playing is characteristically playful and creative.
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Dee Dee Bridgewater
Dear Ella
1997 Verve 314537896
Original recording 1997
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In a wonderful off-tempo, bebop reading of the song, Bridgewater starts off slow and easy and then builds momentum. The orchestra rises and falls as her vocals dictate. Bridgewater also covers the song on Live at Yoshi’s but at a faster pace.
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Charlie Byrd/Barney Kessel/Herb Ellis
Great Guitars
1988 Concord Jazz 6004
Original recording 1974
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This is a live performance from the ultimate guitar summit. There’s a gentle rivalry as all three guitarists pitch in on this one, providing straight readings and polished solos.
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Cal Tjader
Black Orchid
1993 Fantasy Records 24730
Original recording 1956
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If it’s heavy percussion, accelerated tempo, and intense musicianship, it has to be vibes master Tjader. This Latin translation of the song moves like a freight train, all muscle and speed.
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Curtis Fuller
Blues-ette
2003 Savoy Jazz
Original recording 1959
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Fuller’s trombone and Benny Golson’s tenor sax are a beautiful blend in the opening statement. With Tommy Flanagan on piano, Jimmy Garrison on bass, and Al Harewood on drums this is a fine quintet rendition of the song.
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