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I've Got the World on a String (1932)

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I've Got The World On A String - Joe Lovano I've Got The World On A String - Joe Lovano
Joe Lovano
I've Got The World On A String - Diana Krall I've Got The World On A String - Diana Krall
Diana Krall
I've Got the World On A String (Remastered 2003) - Carmen McRae;Shirley Horn I've Got the World On A String (Remastered 2003) - Carmen McRae;Shirley Horn
Carmen McRae;Shirley Horn
I've Got the World on a String (Remastered - 1996) - Louis Armstrong I've Got the World on a String (Remastered - 1996) - Louis Armstrong
Louis Armstrong
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Origin and Chart Information
Even though Calloway’s band was considered a swinging jazz ensemble, his version of “I’ve Got the World on a String” is a more sedate, dance band reading of the tune.

- Chris Tyle

 
Rank 184
Music Harold Arlen
Lyrics Ted Koehler
 

This Ted Koehler-Harold Arlen number was introduced in the 21st edition of the Cotton Club Parade, which opened on October 23, 1932. Cab Calloway’s orchestra, featured in the revue, had a hit on the charts with the number that year:

  • Cab Calloway and His Orchestra (1932, vocal, #18)
  • Bing Crosby, accompanied by the Dorsey Brothers’ Orchestra (1933, vocal, #19)
  • Frank Sinatra, accompanied by Nelson Riddle’s Orchestra (1953, vocal, #14)
 

Chart information used by permission from
Joel Whitburn's Pop Memories 1890-1954
 

The 21st edition of the Cotton Club Parade was the second production that the songwriting team of Koehler and Arlen wrote for New York’s Cotton Club, and they would go on to write the music for two more of the shows, the 22nd and 24th editions. They had one outstanding number from each Parade that went on to be a hit, an impressive achievement. Koehler would continue on as lyricist for one more, and the productions ended in 1939. The Harlem Cotton Club closed in 1936, moving to a new location on Broadway and 48th Street, which closed in 1940.

 
 

More on Ted Koehler
 
 
 

More on Harold Arlen
 

Even though Calloway’s band was considered a swinging jazz ensemble, his version of “...String” is a more sedate, dance band reading of the tune. Record producers often would back a ballad or medium-tempo number with a “hot” tune, and the flip of the original 78 of “...String” was the jazz number “Harlem Hospitality,” another number from the Parade.

The tune was on a roll into 1933, as evidenced by Bing Crosby’s recording with the Dorsey Brothers’ Orchestra. Another reserved rendition (backed by a “hot” version of “My Honey’s Lovin’ Arms”) featured Crosby with the Mills Brothers.

Arlen and Koehler’s hit collaborations retained their popularity through the years, and “...String” continued to find favor with recording artists. Frank Sinatra’s swinging rendition from 1957, with a superb arrangement by Nelson Riddle and accompaniment by his orchestra, is a classic of Sinatra’s great work during his years with Capitol Records.

More information on this tune...

Allen Forte
Listening to Classic American Popular Songs
Yale University Press; Book & CD edition
Hardcover: 219 pages


(Author/educator Forte devotes six pages to the history of the song and analyses of the music and lyric. He includes the song lyrics and the book has a companion CD.)
See the Reading and Research page for this tune for additional references.

Chris Tyle - Jazz Musician and Historian

Recommendations for This Tune
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Ella Fitzgerald
More Priceless Jazz
Verve
Original Recording 1950

Fitzgerald is authoritative on this version of “I’ve Got the World on a String,” making the challenging melody sound effortless. The very slow swing groove is executed flawlessly by Sy Oliver’s Orchestra, with particularly strong work by Hank Jones on piano and Fitzgerald’s husband at the time, bassist Ray Brown.

Oscar Peterson
Plays the Harold Arlen Song Book
Umvd Labels
Original Recordings 1954 and 1959

This album offers two contrasting performances by trios with pianist Peterson and bassist Ray Brown. The 1954 version is a lush, gentle ballad with guitarist Herb Ellis, while the 1959 version replaces Ellis with drummer Ed Thigpen and adds a healthy dose of swing to the groove.

iTunes
Anita O'Day
Anita Sings the Most
Polygram Records
Original Recording 1957

O’Day’s masterful singing here is sly, tender and generally understated. The slowly swinging vibe is put across wonderfully by guitarist Herb Ellis, bassist Ray Brown and pianist Oscar Peterson, who enter the mix gradually.

iTunes
Pee Wee Russell
Portrait Of Pee Wee
Everest Records
Original Recording 1958

Clarinetist Russell, while associated with Dixieland, always sounded modern. Here he plays an inventive solo on this relaxed, swinging performance that also features Vic Dickenson on trombone, Bud Freeman on tenor saxophone, Ruby Braff on trumpet and Nat Pierce on piano.

iTunes
Earl Hines
Live at the New School
Chiaroscuro Records
Original Recording 1973

This performance is an absolute tour de force, more than 16 minutes of stunningly inventive solo piano, at times involving jaw-dropping stride, at other times becoming more introspective and exploratory. In the midst of Hines’ explorations we also hear a long reference to “Honeysuckle Rose”

iTunes

- Noah Baerman

Ernie Henry Quartet
Seven Standards & a Blues
1993 Original Jazz Classics 1722
Original recording 1957
The joyous spirit of the song is alive in the buoyant phrasing of alto saxophonist Henry, the bluesy delivery of pianist Wynton Kelly, and the swinging tempo of drummer Philly Joe Jones and bassist Wilbur Ware.
Joe Lovano
Celebrating Sinatra
2002 Blue Note 37718
Original recording 1996
The unpredictability of both saxophonist Lovano’s playing and the orchestral arrangement by Marty Albam makes this a fresh and exciting exercise which includes Judi Silvano’s vocalizing.
iTunes
Diana Krall
Only Trust Your Heart
1995 GRP Records 9810
Original recording 1995
Krall’s voice is intoxicating and her piano playing sparse but vibrant on this enjoyable rollick that features some wonderful swing rhythm from bassist Christian McBride and drummer Lewis Nash.
iTunes
Carmen McRae
Sarah: Dedicated to You
2003 RCA
Original recording 1990
Vocalist McRae is backed by the Shirley Horn trio here, and they swing this tune gently but with authority. McRae gives it an earthy touch.
iTunes

- Ben Maycock

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