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“Blake recorded this version at the age of 90 but the style and energy are equal to that of much, much earlier versions.” |
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- Ben Maycock
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Minto Cato introduced the lover’s lament, “Memories of You,” in Lew Leslie’s musical revue, Blackbirds of 1930. Opening at the the Eltinge Theatre in New York, March 4, 1929, the eagerly awaited show ran for only 57 performances.
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The cast of Blackbirds of 1930 was a veritable who’s who of African American entertainers of the day, including Ethel Waters, Mantan Moreland, Blue McAllister, Jazzlips Richardson, Neeka Shaw, Broadway Jones, Minto Cato, The Berry Brothers, Buck and Bubbles, Cecil Mack’s Choir, and Flournoy Miller (who also wrote the book.)
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Lew Leslie enlisted the help of Eubie Blake (1883-1983) to write the score for Blackbirds of 1930. Blake was no stranger to Broadway as he had collaborated with Noble Sissle, Flournoy Miller, and Aubrey Lyles on Shuffle Along (1921), the first Broadway musical written, produced, and performed by African Americans. Starring Josephine Baker, Ethel Waters, and Paul Robeson, the musical ran for 504 performances and grossed nearly $8 million. Shuffle Along marked a turning point for the New York theater scene and has even been credited as the beginning of what would be termed the Harlem Renaissance. Blake and Sissle went on to collaborate on the musical Elsie (1923) and the revue Chocolate Dandies (1924).
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It was during his work on Blackbirds of 1930 that Blake met Andy Razaf (1895-1973). Razaf was well known in songwriting circles for his collaborations with Fats Waller which included the hits “Honeysuckle Rose” (1929), “Ain’t Misbehavin’” (1929), and “Black and Blue” (1929). Blake and Razaf would become a prolific writing team, going on to collaborate on more than 80 songs, the best known of which are “Memories of You” and “You’re Lucky to Me,” also from Blackbirds of 1930.
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The song first appeared on the charts in 1930, rising to number 18, courtesy of Louis Armstrong. Ten years later The Ink Spots’ rendition reached number 29. The most played and probably best-remembered version, however, was by high-note trumpeter Sonny Dunham, who played with Glen Gray and the Casa Loma Orchestra.
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“Memories of You” resurfaced on Broadway in the musical revue, Eubie, a biographical show starring Gregory Hines, Marion Ramsey, Ethel Beatty, and Terry Burrell. The show, based on the life of Eubie Blake, opened at the Ambassador Theater on September 20, 1978, and ran for 439 performances.
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More information on this tune... |
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George T. Simon
Big Bands Songbook Barnes & Noble
Paperback
(Author/drummer Simon includes the sheet music with four pages of the song’s history and its performers.)
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- Jeremy Wilson
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This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with
“Memories of You.” These recordings have been selected from the Jazz History and
CD Recommendations sections.
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Each of Eubie Blake’s performances of “Memories of You” is worth checking out, and his 1973 solo recording of the tune ( Memories of You) is no exception. The tune’s versatility and applicability to modern jazz were cemented in 1956 when Thelonious Monk recorded it for the first time ( The Unique Thelonious Monk). Among vocal versions, Shirley Horn’s rendition from 1989 is particularly brilliant in capturing the intimacy of the tune.
Noah Baerman - Jazz Pianist and Educator
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Blake did not deny that “Memories of You” was
inspired by Edward MacDowell’s “To a Wild Rose,”
the most popular of the (classical) suite of musical
miniatures, “Woodland Sketches.” At the Rose
Leaf Ragtime Club website Bill Mitchell wrote
a Blake memoir based on diary entries he had made
after attending parties where Blake was present.
According to a 1973 entry, he said “Eubie spoke
of being accused of stealing famous songs such as
‘Gypsy Blues’ from Victor Herbert’s ‘Little Gypsy
Sweetheart.’” Blake said he “writes around” songs,
but that is not stealing. Blake acknowledged that
“Memories of You” was written around “To a Wild
Rose,” at least in part.
“Memories of You” is not your typical pop song.
With a range of an octave and a fifth, the song
intimidates many vocalists who will simply not attempt
to perform it. The song, however, was not written
to showcase just any voice. Andy Razaf’s paramour
at the time,
Minto Cato, had an extraordinary three-octave
vocal range, and it was Cato who introduced the
song in the show. It was the show’s star, Ethel
Waters (with a two-octave vocal range, however,
who was the first to record it. -JW
Musical analysis of
“Memories of You”
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Original
Key |
Eb major;
modulates to C minor for the bridge |
Form |
A1 – A2 –
B – A2 |
Tonality |
Major during
“A” sections; “B” section is minor |
Movement |
“A” ascends
initially step-wise, followed by an arpeggiated
outlining of the chord, then a final upward
leap of a fifth before descending pentatonically.
“B” moves predominately upward in a pattern
consisting of a skip followed by three steps. |
Comments
(assumed
background)
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This tune has a very wide range (octave
and a fifth) and is, therefore, more appealing
to instrumentalists than to vocalists. The
initial chord progression is identical to
“Doin’ The New Low-Down” and “Easy
Living,” being the ascending I-vii˚/ii-ii-vii˚/iii
(Eb – E˚7 – Fm – F#˚7) pattern. After this
it returns to the I, followed by a II7 that
doesn’t really resolve to V7 but goes directly
back to the I chord (some versions call
for a iv between the II7 and I). Another
irregular resolution similar to this one
occurs in the “B” section. In the third
and fourth measures of “B,” C minor is followed
by F7 but then proceeds directly to Eb instead
of using a Bb7. Since the melody note in
the fourth measure of “B” is the ninth,
a Bb13 could conceivably be used during
the last two beats, but this is not what
Razaf wrote in his original score. |
K. J. McElrath - Musicologist for JazzStandards.com |
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Louis Armstrong’s 1930 recording of Eubie Blake’s
tune has an interesting feature, aside from Armstrong’s
great trumpet and vocal; it is the recording debut
of drummer Lionel Hampton on the vibraphone. By
the time of his next recording of the tune, with
Benny Goodman, Hampton would be considered the
master of the vibraphone, his only challenger being
another excellent performer, Red Norvo.
Goodman’s version of the tune instantly turned
the number into a feature for clarinetists, even
though there are excellent solos by Hampton and
electric guitarist Charlie Christian on the recording.
Chris Tyle - Jazz Musician and Historian
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Additional information for "Memories of You" may be found in:
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George T. Simon
Big Bands Songbook Barnes & Noble
Paperback
(4 pages including the following types of information: history, performers and sheet music.)
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Thomas S. Hischak
The Tin Pan Alley Song Encyclopedia Greenwood Press
Hardcover: 552 pages
(1 paragraph including the following types of information: Broadway productions, film productions, history and performers.)
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Robert Gottlieb, Robert Kimball
Reading Lyrics Pantheon
Hardcover: 736 pages
(Includes the following types of information: song lyrics.)
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“Memories of You” was included in these films:
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Click on any CD for more details at Amazon.com |
Thelonious Monk
The Unique Thelonious Monk
1991 Original Jazz Classics 64
Original recording 1956
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Pianist Thelonious Monk had a special knack for interpreting standard ballads alone at the piano. This is the first of his multiple recordings of this song, and it bristles with energy and creativity.
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Jaki Byard
Jaki Byard Experience
1999 Original Jazz Classics 1913
Original recording 1968
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This tune is a duet on an album mostly comprised of quartet numbers, as pianist Byard teams up with Rahsaan Roland Kirk on tenor saxophone. Both of these musicians were known for their personal and compelling ways of combining the cutting-edge with the traditional, and their interpretation of “Memories of You” provides plenty of both.
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Eubie Blake
Memories of You
2003, Sony
Original recording, 1973, Shout!Factory
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Blake recorded this version at the age of 90. The style and energy are equal to that of much, much earlier versions, and one must assume that we are hearing the song in its purest form.
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Shirley Horn
Close Enough for Love
1990 Polygram Records 37933
Original recording 1989
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The trio of pianist/vocalist Horn is joined by tenor saxophonist Buck Hill on this thoughtful, molasses-slow rendition.
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Art Tatum/Buddy DeFranco
The Tatum Group Masterpieces, Vol. 7
Pablo 2405430
Original recording 1956
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Tatum’s piano matches up well here with the clarinet of Buddy DeFranco. Both men contribute brilliant solos and are clearly inspired by one another
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Hank Jones
Live at Maybeck 16
Concord Records
Original Recording 1991
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The elegance of pianist Hank Jones is well-documented, and this soulful, harmonically rich performance of “Memories of You” is a perfect example of his ballad style.
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Zoot Sims
Quartets
Original Jazz Classics 242
Original recording, 1951
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This arrangement of "Memories of You"' explores the song in a quartet format, allowing for some interesting solos and dynamic interplay.
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Charles Mingus
Mingus Plays Piano
Grp Records
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This is a rare treat, for Mingus not only tackles the Blake song but the bass player and composer does it at the piano. This unique recording is yet more proof of Mingus' genius.
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Ray Brown
Jazz Cello
2003 Verve 440065295
Original recording 1960
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Bass player Ray Brown highlights the non-traditional jazz instrument here.
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