The band included trumpeter Bunny Berigan, vocalist Helen Ward, and Gene Krupa, the explosive drummer who was seminal to the band’s swinging sound. In 1937 Harry James, Ziggy Elman, and Vido Musso joined the band. Success was due to Goodman’s hiring the best arrangers such as Fletcher Henderson (whom he credited with creating the swing sound), and the best players (whom he rehearsed hard). He was one of the first to feature band members in small settings and the first to racially integrate a band with such greats as Teddy Wilson, Lionel Hampton, Ella Fitzgerald, and Jimmy Rushing.

As a composer Goodman contributed to ”Stompin’ at the Savoy,” “Seven Come Eleven,” “Air Mail Special,” “Flying Home,” “Don’t Be That Way,” ”Lullaby in Rhythm,” “If Dreams Come True,” and “Soft Winds.”

Goodman’s 1938 Carnegie Hall concert was a first for a jazz group in such a venerable setting and remains one of jazz’s high points. The band enjoyed many top ten hits a year and was featured in several films, the first being The Big Broadcast of 1937. Goodman’s appearance as an actor in the film A Song Is Born (1948) is delightful.

After he disbanded the orchestra in 1949 he continued to organize groups for tours and recording sessions. As a virtuoso clarinetist, he became the first jazz musician to gain critical acclaim in the classical world, as early as 1935, and he continued to perform with many symphony orchestras.

- Sandra Burlingame